Different parts - body, lid, spout, handles - thrown on the wheel, measured, joined together, trimmed and altered - are assembled to create a complete teapot.
Inspired by Eileen's containers with glass on the lid, I made some experiments. My first reaction when I opened the kiln was disappointment - the glass had spread out widely, more than was expected. On a 2ed and 3rd look I started to like them. They remind me of a cosmos activity - the beauty of uncontrolled creation.
I use Malcom's carbon trap shino. This picture shows a pot glazed (after bisque) with shino glaze. After it dries a pattern appears, that's where the carbon will 'play' and decorate the pot.
I've always wanted to try the glazing technique in which you rap the pot with rope, glaze the pot and then remove the rope to get a spontaneous striped look. This pot is meant for a raku firing, meaning the stripes now white (without glaze) should get black from the smoking.